Then there's the one about him getting the interviewer to ask him questions made up with sentences of random words. There's the one about Eno getting so bored with interviews that he'd insist on giving the answers first and making the interviewer come up with the questions. Questions, questions, questions, but which to ask.Īnd on top of this quandary there are those rumours about how the man acts when interviewed these days. And let's not forget Roxy Music, all those other Eno solo albums and the collaborations with Harold Budd, David Byrne and so many others. You could ask him about David Bowie as he was responsible for producing arguably Bowie's best albums. You could ask him about ambient music, the genre he famously 'invented' with his soundtrack albums in the '70s. God, where do you start with Brian Eno? A thousand questions, each and every one of them you just know he will have been asked a thousand times before. After a ten-year wait, Andy Jones finally nabs him to reveal the problems with synths and computers and to find out why the next revolution in music will be the human voice. Turn on javascript to use the drop-down menus.įuture Music FEBRUARY 2004 - by Andy Jonesīrian Eno has achieved so much - from playing synths with Roxy Music to producing Bowie and U2, as well as cutting edge solo music and inventing Ambient Music - so he has always been Future Music's number one target to interview.
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